This last weekend I had the most perfect opportunity for writing. My three littles were spending a few days at my mom’s, leaving my partner and I with a freakishly quiet house. There was also a terrible cold front Friday night, encouraging us all to stay in where it was warm, and, more particularly, in my favorite writing spot, also known as my bed.
I decided I was gonna get a hell of a lot done with this precious time. I challenged myself to write 5000 new words by the end of the weekend. I was feeling inspired, having finally reached the point of the manuscript where events start rolling downhill toward the climax, so 5000 seemed lofty but not unattainable. Not at first anyway.
So I settled into bed with my ambient noise app, a soda, and a bag of candy and was ready to work. I booted up my laptop and, well, thirty minutes later after troubleshooting why the darn thing was running so slow I realized it had probably caught a virus and needed a reformat.
In the end, I saved all my documents, but lost a lot of time. I wound up with about 2000 new words instead of 5, but I’m okay with that, really.
The Weekly Struggle
Here’s another fun little tidbit about me: one of my writing hobbies of my younger years was roleplaying. I used many different mediums over the years, but where I really found my stride was in online gaming. I won’t bore with the details, but one thing that I took away from it was a love of writing in the present tense.
Present tense made sense in the context of roleplaying in these games, because the things we were writing were supposed to be playing out in real time. However, even as I phased out of that hobby, present tense permeated my other creative writing projects. I really loved how it injected a sense of urgency into my writing. If these things are happening right now, then they require one’s immediate attention. It didn’t even occur to me, at first, how jarring it might be to someone who is has never experienced it before.
When I first began work on Border Towns, I didn’t even think about it. Present tense just flowed out of me. However, somewhere toward the end of November, I stumbled on a Twitter thread discussing the pros and cons of past and present. In that order. And then, suddenly, this was me:
I’m used to self-doubt, I think all writers are to some degree, but this was a new facet my anxiety-riddled mind hadn’t explored on it’s own. Yet.
I’m comfortable writing in past, I’m just more comfortable in present. I don’t feel particularly strongly that this story must be told in present, that’s just what I happened to use by force of habit. Now I’m clocking in close to 60,000 words and wondering if revision is going to require a change of tense, along with everything else.
Okay, maybe “require” is a strong word. But I do find myself wondering more and more if this will be a manuscript that will be passed on out of hand simply because of its tense. Or, perhaps, the arguments I was reading are out of date and not keeping with modern publishing trends. I don’t know. But I didn’t wonder before, and I now I do.
The net result of all this has been constantly telling myself “carts and horses,” because the reality is the tense of the manuscript is just a fart in the wind until the whole damn thing is finished and ready to go.
Carts and horses, Kerry Ann. Carts and horses.
What I’m Reading This Week
I put out a call this week on Twitter for some help finding some potential comp titles for whenever I finally get this monsterpiece finished. And lordy, did yall deliver.
I’m starting with Six of Crows, a fantasy heist novel set in the Grishaverse. With multiple POVs and worldbuilding to make a fellow fantasy writer (hello, me) jealous, Six of Crows is a book I’m annoyed to have missed the bandwagon on. Definitely grateful to have been rec’d it and pleased to be able to rec it to anyone else in return.
That’s it for me for this week. May your struggles be few and your words aplenty!
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